A Creative Act
In the early 19th century, at the command of Thomas Bruce, the 7th Earl of Elgin, a team of workers physically removed a significant number of sculptural works and architectural fragments from the Parthenon and other buildings on the Acropolis in Athens. These sculptures represented a physical link with the society of Ancient Greece and classical antiquity.
Lord Elgin arranged for the marbles to be transported to Britain, intending for them to decorate his private manor house near Dunfermline. Even at the time, some viewed Elgin’s deconstruction and displacement of the marbles as an act of vandalism and theft. The case was debated in Parliament, and Elgin was exonerated, having claimed that he had been granted an official decree by the rulers of the Ottoman Empire in Greece; a claim which has since been disputed by scholars. In order to settle his own debts, Elgin sold the sculptures to the British government, which in turn placed them in the custody of the British Museum. To this day, the British government maintains that the marbles are their own legal property, and refuses to enter discussions of restitution with Greece. The series A Creative Act references the political and geographical duality of these sculptures, and raises the ethical question of their extraction and displacement.
A Creative Act was exhibited at the University of Westminster, 2019 and in the Biennale für aktuelle Fotografie, 2020.